O:9:"MagpieRSS":24:{s:6:"parser";i:0;s:12:"current_item";a:0:{}s:5:"items";a:10:{i:0;a:11:{s:5:"title";s:66:"In Japan, companies are adopting an app for their single employees";s:4:"link";s:94:"https://movs.world/magazine/in-japan-companies-are-adopting-an-app-for-their-single-employees/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 16:27:33 +0000";s:8:"category";s:48:"MagazineAdoptingappcompaniesemployeesJapansingle";s:4:"guid";s:94:"https://movs.world/magazine/in-japan-companies-are-adopting-an-app-for-their-single-employees/";s:11:"description";s:667:"Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter. Excerpt from an ad for the employee dating app Aill goen. COURTESY AILL INC. The Covid-19 pandemic is weighing on singles looking ... Read more";s:7:"content";a:1:{s:7:"encoded";s:3812:"
Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter.
Excerpt from an ad for the employee dating app Aill goen. COURTESY AILL INC.
The Covid-19 pandemic is weighing on singles looking for love. A burden that worries Japanese companies for which a fulfilling private life of employees is generally synonymous with a job well done. At the beginning of January, 796 of them, including the telecommunications giant NTT DoCoMo, the Mizuho bank, the airline All Nippon Airways or the daily Mainichi Shinbun, gave in to the advances of Aill goen, a new kind of dating app. Functioning on the analysis of the tastes of the users and the optimization of their choices to avoid the errors, this one connects only the employees of these companies.
In Japan, getting married is a sign of recognition. ?Not being married remains a failure,? explains sociologist Muriel Jolivet.
By December, 76% of users had been able to arrange dates, according to a survey by Aill, the Tokyo-based startup behind the app. ?I wanted to create a platform that would make it easier for employees to achieve work-life balance, which at the same time would drive business growth,? explains China Toyoshima to the Kyodo agency. The leader of Aill had the idea for the application in 2018. At the time an executive of a company in the pharmacy sector, the 30-year-old was approached for a promotion and worried about her personal life.
Artificial intelligence at the service of singles
In Japan, the majority of women in positions of responsibility are single and have little opportunity to seek a partner. ?Companies want their employees to show initiative. Employees are tired due to the work overload and do not have time to take care of their personal life,? she adds. With Covid-19, the situation has not improved, and ?Employers are concerned about the mental health of their employees, who are most often confined to their homes without any physical interaction?.
Aill goen works with artificial intelligence (AI). Features include a table detailing the compatibility of future couples and a bar displaying the level of appreciation of a potential partner calculated according to the evolution of conversations. Behaving like a trusted friend, the application does not hesitate to intervene in text message exchanges to suggest that one of the members request a meeting. It also offers questions to ask to facilitate conversations and ideas when discussions get bogged down.
You have 50.55% of this article left to read. The following is for subscribers only.
";}s:7:"summary";s:667:"Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter. Excerpt from an ad for the employee dating app Aill goen. COURTESY AILL INC. The Covid-19 pandemic is weighing on singles looking ... Read more";s:12:"atom_content";s:3812:"
Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter.
Excerpt from an ad for the employee dating app Aill goen. COURTESY AILL INC.
The Covid-19 pandemic is weighing on singles looking for love. A burden that worries Japanese companies for which a fulfilling private life of employees is generally synonymous with a job well done. At the beginning of January, 796 of them, including the telecommunications giant NTT DoCoMo, the Mizuho bank, the airline All Nippon Airways or the daily Mainichi Shinbun, gave in to the advances of Aill goen, a new kind of dating app. Functioning on the analysis of the tastes of the users and the optimization of their choices to avoid the errors, this one connects only the employees of these companies.
In Japan, getting married is a sign of recognition. ?Not being married remains a failure,? explains sociologist Muriel Jolivet.
By December, 76% of users had been able to arrange dates, according to a survey by Aill, the Tokyo-based startup behind the app. ?I wanted to create a platform that would make it easier for employees to achieve work-life balance, which at the same time would drive business growth,? explains China Toyoshima to the Kyodo agency. The leader of Aill had the idea for the application in 2018. At the time an executive of a company in the pharmacy sector, the 30-year-old was approached for a promotion and worried about her personal life.
Artificial intelligence at the service of singles
In Japan, the majority of women in positions of responsibility are single and have little opportunity to seek a partner. ?Companies want their employees to show initiative. Employees are tired due to the work overload and do not have time to take care of their personal life,? she adds. With Covid-19, the situation has not improved, and ?Employers are concerned about the mental health of their employees, who are most often confined to their homes without any physical interaction?.
Aill goen works with artificial intelligence (AI). Features include a table detailing the compatibility of future couples and a bar displaying the level of appreciation of a potential partner calculated according to the evolution of conversations. Behaving like a trusted friend, the application does not hesitate to intervene in text message exchanges to suggest that one of the members request a meeting. It also offers questions to ask to facilitate conversations and ideas when discussions get bogged down.
You have 50.55% of this article left to read. The following is for subscribers only.
";s:14:"date_timestamp";i:1642264053;}i:1;a:11:{s:5:"title";s:33:"three figures of the French scene";s:4:"link";s:62:"https://movs.world/magazine/three-figures-of-the-french-scene/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 14:02:24 +0000";s:8:"category";s:26:"MagazinefiguresFrenchscene";s:4:"guid";s:62:"https://movs.world/magazine/three-figures-of-the-french-scene/";s:11:"description";s:520:"Kam Hugh, the power of the (makeup) brush Kam Hugh, in August 2020. JEAN RANOBRAC A professional make-up artist, this 22-year-old young man wearing a mullet haircut with blond fringe grew up in Aubenas (Ardèche). Having a makeup artist mother allowed him, as a child, to go to the carnival disguised as a fairy. He ... Read more";s:7:"content";a:1:{s:7:"encoded";s:4204:"
Kam Hugh, the power of the (makeup) brush
Kam Hugh, in August 2020. JEAN RANOBRAC
A professional make-up artist, this 22-year-old young man wearing a mullet haircut with blond fringe grew up in Aubenas (Ardèche). Having a makeup artist mother allowed him, as a child, to go to the carnival disguised as a fairy. He discovered the art of drag during his BTS in aesthetic marketing, perfumery in Lyon. ?I saw images of the ?RuPaul’s Drag Race?, I became a fan overnight of the very beautiful Kim Chi and I said to myself: ?Ah well? Can we do that without wanting to transition??I felt good in my male body. But I’ve always loved cute, colorful, sparkling things. The aesthetics of Barbie and Swan Lake. Her mauve pink dress is sublime! »
?In drag, I feel powerful, more confident, I have fun and I amuse people. I dream??
He began posting his transformations (requiring two and a half to three hours of makeup) on YouTube, immediately finding an audience. ?I wanted to make it all visible, I was thinking back to when I was 16. In my high school, there was no one like me, no boy wore makeup?? Then he met drag queen Cookie Kunty. And started performing on stage three years ago. On social networks, Kam Hugh is also a make-up influencer (feminine) for various brands of beauty products. He took the stage at Jean Paul Gaultier’s “Fashion Freak Show”, performed his own show, “Superstar”, in December 2021… ?I don’t stop, day and night!You can’t imagine all the work behind a look?? His motivation? ?I wanted, needed, to express a part of femininity. I’ve never gone clubbing as a guy, I’m not interested. In drag, I feel powerful, more confident, I have fun and I amuse people. I dream. And I represent the values ??of the LGBTQIA+ community: be yourself and be proud of it. »
Cookie Kunty, standard bearer of the queer community
Cookie Kunty, in June 2020. Wigmaker: Jean-Baptiste Santens. Adornment and earrings by Nicolas Deschaux and outfit by Adèle Cano. COOKIE KUNTY
Romain Eck, 28, an employee in an art supply store, created his drag queen Cookie Kunty character seven years ago. ?With my sister, in Guadeloupe, I watched the first season of ?RuPaul’s Drag Race?. I was not in a quest for identity, I came to drag to express myself artistically. To apply my drawing quality to makeup. And also to free myself from the norms imposed by society. We homosexuals have been criticized for our femininity so much that we need to express it in our own way. »
You have 60.75% of this article left to read. The following is for subscribers only.
";}s:7:"summary";s:520:"Kam Hugh, the power of the (makeup) brush Kam Hugh, in August 2020. JEAN RANOBRAC A professional make-up artist, this 22-year-old young man wearing a mullet haircut with blond fringe grew up in Aubenas (Ardèche). Having a makeup artist mother allowed him, as a child, to go to the carnival disguised as a fairy. He ... Read more";s:12:"atom_content";s:4204:"
Kam Hugh, the power of the (makeup) brush
Kam Hugh, in August 2020. JEAN RANOBRAC
A professional make-up artist, this 22-year-old young man wearing a mullet haircut with blond fringe grew up in Aubenas (Ardèche). Having a makeup artist mother allowed him, as a child, to go to the carnival disguised as a fairy. He discovered the art of drag during his BTS in aesthetic marketing, perfumery in Lyon. ?I saw images of the ?RuPaul’s Drag Race?, I became a fan overnight of the very beautiful Kim Chi and I said to myself: ?Ah well? Can we do that without wanting to transition??I felt good in my male body. But I’ve always loved cute, colorful, sparkling things. The aesthetics of Barbie and Swan Lake. Her mauve pink dress is sublime! »
?In drag, I feel powerful, more confident, I have fun and I amuse people. I dream??
He began posting his transformations (requiring two and a half to three hours of makeup) on YouTube, immediately finding an audience. ?I wanted to make it all visible, I was thinking back to when I was 16. In my high school, there was no one like me, no boy wore makeup?? Then he met drag queen Cookie Kunty. And started performing on stage three years ago. On social networks, Kam Hugh is also a make-up influencer (feminine) for various brands of beauty products. He took the stage at Jean Paul Gaultier’s “Fashion Freak Show”, performed his own show, “Superstar”, in December 2021… ?I don’t stop, day and night!You can’t imagine all the work behind a look?? His motivation? ?I wanted, needed, to express a part of femininity. I’ve never gone clubbing as a guy, I’m not interested. In drag, I feel powerful, more confident, I have fun and I amuse people. I dream. And I represent the values ??of the LGBTQIA+ community: be yourself and be proud of it. »
Cookie Kunty, standard bearer of the queer community
Cookie Kunty, in June 2020. Wigmaker: Jean-Baptiste Santens. Adornment and earrings by Nicolas Deschaux and outfit by Adèle Cano. COOKIE KUNTY
Romain Eck, 28, an employee in an art supply store, created his drag queen Cookie Kunty character seven years ago. ?With my sister, in Guadeloupe, I watched the first season of ?RuPaul’s Drag Race?. I was not in a quest for identity, I came to drag to express myself artistically. To apply my drawing quality to makeup. And also to free myself from the norms imposed by society. We homosexuals have been criticized for our femininity so much that we need to express it in our own way. »
You have 60.75% of this article left to read. The following is for subscribers only.
";s:14:"date_timestamp";i:1642255344;}i:2;a:11:{s:5:"title";s:55:"?I am a perfectionist, it is my strength and my burden?";s:4:"link";s:81:"https://movs.world/magazine/i-am-a-perfectionist-it-is-my-strength-and-my-burden/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 09:22:26 +0000";s:8:"category";s:35:"Magazineburdenperfectioniststrength";s:4:"guid";s:81:"https://movs.world/magazine/i-am-a-perfectionist-it-is-my-strength-and-my-burden/";s:11:"description";s:608:"Designer Ann Demeulemeester. VICTOR ROBYN First leaning on the huge counter at the back, she slides towards you, a determined silhouette, her face lit up by benevolent blue-gray eyes and surrounded by long flowing hair. On her little finger, a silver ring adorned with a bird’s leg. A magician in her kingdom, Ann Demeulemeester, 62, ... Read more";s:7:"content";a:1:{s:7:"encoded";s:4185:"
Designer Ann Demeulemeester. VICTOR ROBYN
First leaning on the huge counter at the back, she slides towards you, a determined silhouette, her face lit up by benevolent blue-gray eyes and surrounded by long flowing hair. On her little finger, a silver ring adorned with a bird’s leg. A magician in her kingdom, Ann Demeulemeester, 62, gives an appointment in the store of the brand that bears her name, 800 square meters in the beautiful districts of Antwerp, Belgium, open since 1999.
They were refurbished in September 2021, according to his taste: geometric furniture installed on wooden bases; fitting rooms as large as bedrooms which open onto a tree-lined courtyard; old parquet completely repainted in black. games of light ?clean and fresh? enhance all the shades of black and white, these minimal shades that have always sufficed for his wardrobe of ageless, romantic, fluid vagabonds, but cut to the millimeter, with the precision of a surgeon.
?People don’t realize how much fashion sucks at you. You can’t do anything else. » Ann Demeulemeester
The result of a year and a half of reflection and transformation, carried out with her husband met forty-five years ago, the decorator Patrick Robyn, and requested by Claudio Antonioli, who bought the label in 2020. ?I always try to make happen what I see in my dream and I persevere until it is achieved., she says. I am a perfectionist: it is my strength and my burden. »
Since the takeover by the Italian entrepreneur, the house, for which Ann Demeulemeester now plays the role of adviser without putting her hand to the boss, has regained some brilliance, not only within these Antwerp walls, but also within the global geography of fashion. In June, the label will headline Pitti Uomo, Florence, a key menswear trade show with its new collection. ?Claudio saved the brand, goes so far as to say Ann Demeulemeester. I am grateful to him. »
The Ann Demeulemeester store in Antwerp, Belgium. In particular, the objects that she now creates are sold there. VICTOR ROBYN
In recent years, she has stayed away from it: in November 2013, the stylist announced without effusion that she was leaving fashion. To the amazement of the environment. ?Leaving like this is not done, but I had been thinking about it for maybe five years, she explains. I had health alerts, I was tired of the hectic pace. People don’t realize how much fashion sucks at you. You can’t do anything else. It was a life that I had chosen, lived to the full, but consider that, in almost thirty years of fashion, I have never gone on vacation with my son??
You have 68.56% of this article left to read. The following is for subscribers only.
";}s:7:"summary";s:608:"Designer Ann Demeulemeester. VICTOR ROBYN First leaning on the huge counter at the back, she slides towards you, a determined silhouette, her face lit up by benevolent blue-gray eyes and surrounded by long flowing hair. On her little finger, a silver ring adorned with a bird’s leg. A magician in her kingdom, Ann Demeulemeester, 62, ... Read more";s:12:"atom_content";s:4185:"
Designer Ann Demeulemeester. VICTOR ROBYN
First leaning on the huge counter at the back, she slides towards you, a determined silhouette, her face lit up by benevolent blue-gray eyes and surrounded by long flowing hair. On her little finger, a silver ring adorned with a bird’s leg. A magician in her kingdom, Ann Demeulemeester, 62, gives an appointment in the store of the brand that bears her name, 800 square meters in the beautiful districts of Antwerp, Belgium, open since 1999.
They were refurbished in September 2021, according to his taste: geometric furniture installed on wooden bases; fitting rooms as large as bedrooms which open onto a tree-lined courtyard; old parquet completely repainted in black. games of light ?clean and fresh? enhance all the shades of black and white, these minimal shades that have always sufficed for his wardrobe of ageless, romantic, fluid vagabonds, but cut to the millimeter, with the precision of a surgeon.
?People don’t realize how much fashion sucks at you. You can’t do anything else. » Ann Demeulemeester
The result of a year and a half of reflection and transformation, carried out with her husband met forty-five years ago, the decorator Patrick Robyn, and requested by Claudio Antonioli, who bought the label in 2020. ?I always try to make happen what I see in my dream and I persevere until it is achieved., she says. I am a perfectionist: it is my strength and my burden. »
Since the takeover by the Italian entrepreneur, the house, for which Ann Demeulemeester now plays the role of adviser without putting her hand to the boss, has regained some brilliance, not only within these Antwerp walls, but also within the global geography of fashion. In June, the label will headline Pitti Uomo, Florence, a key menswear trade show with its new collection. ?Claudio saved the brand, goes so far as to say Ann Demeulemeester. I am grateful to him. »
The Ann Demeulemeester store in Antwerp, Belgium. In particular, the objects that she now creates are sold there. VICTOR ROBYN
In recent years, she has stayed away from it: in November 2013, the stylist announced without effusion that she was leaving fashion. To the amazement of the environment. ?Leaving like this is not done, but I had been thinking about it for maybe five years, she explains. I had health alerts, I was tired of the hectic pace. People don’t realize how much fashion sucks at you. You can’t do anything else. It was a life that I had chosen, lived to the full, but consider that, in almost thirty years of fashion, I have never gone on vacation with my son??
You have 68.56% of this article left to read. The following is for subscribers only.
";s:14:"date_timestamp";i:1642238546;}i:3;a:11:{s:5:"title";s:34:"Mothers, absent from family photos";s:4:"link";s:62:"https://movs.world/magazine/mothers-absent-from-family-photos/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 07:01:26 +0000";s:8:"category";s:33:"Magazineabsentfamilymothersphotos";s:4:"guid";s:62:"https://movs.world/magazine/mothers-absent-from-family-photos/";s:11:"description";s:554:"JULIANE LIEBERMAN / UNSPLASH Dn her feminist commitment, Laura Vallet has a simple practice: counting the place of women in the different sections of society. In her job, the librarian, specialized in children’s literature and blogger on this theme, regularly counts the share of girls and boys in fiction, questioning the way in which each ... Read more";s:7:"content";a:1:{s:7:"encoded";s:11101:"
JULIANE LIEBERMAN / UNSPLASH
Dn her feminist commitment, Laura Vallet has a simple practice: counting the place of women in the different sections of society. In her job, the librarian, specialized in children’s literature and blogger on this theme, regularly counts the share of girls and boys in fiction, questioning the way in which each is represented. In her privacy, the 35-year-old mother recently counted her appearances in the family album.
?Of the 450 photos I sorted, my husband appears twice as much as me alongside our children?, points out the mother of a 9-year-old boy and a 6-year-old girl, who only appears once on her own. “I felt a deep annoyance not to appear in any photo of everyday life when I am so much a part of it”, comments Laura, who appears mainly on ?the ritual photos? carried out each year by a third party at their place of marriage.
Intimate experience or the umpteenth manifestation of the mental and emotional burden that most often falls on women? To corroborate her intuition, Laura posted a terse question on Twitter on Monday, January 3: “Mothers: do we take a picture of you? » Nearly 400 responses, like so many ” me neither “. “It resonated with many women, I did not expect it”, she says.
Mothers: do we take a picture of you?
? FilledAlbum (@Album Girl)
?A system where the mother is always wronged?
“As soon as we raise a subject, we bring out a new reality of the mental and emotional load”, she notes, referring, in the specific case, “taking photos, sorting them, creating albums to allow the family to build their family story”.
For Illana Weizman, sociologist and author of This is my postpartum (Marabout, 2021), this illustration of the emotional charge is far from trivial. ?It contributes to the burden on mothers in almost all areas of parenthood, to emotions, to memories?, believes the feminist activist on the site madmoi cell, according to whom the enthusiasm around this tweet highlights ?a system where the mother is always wronged, where she always has to think of everything. »
An observation shared by Claudine Veuillet-Combier and Emmanuel Gratton, psychologists and researchers at the University of Angers and authors of Photographs of contemporary families, cross-perspectives between sociology and psychoanalysis (Rennes University Press, 2021). “We observe that it is often the women who manage the family heritage, who take the photos, classify them, comment on them and share them”, analyzes Claudine Veuillet-Combier, interviewed by France Inter.
Read also #MonPostPartum: a hashtag to free speech on postpartum
Invisibilisation
Worse, according to several testimonies published following Laura’s tweet, this dynamic contributes to the invisibilization of women in the family sphere. ?On my side, with the photos, we believe that it was the dad who bathed my daughter every day?, comments a surfer, specifying that the photos in question came, on the contrary, to underline a rare moment of everyday life.
@FilledAlbum On my side, with the photos, we believe that it was the dad who bathed my daughter every day? https://t.co/acP32Ublxw
? Prueret (@Hélène Bergès)
“Women need to make a visual record of the fact that men take care of the children, further analyzes Claudine Veuillet-Combier. Men don’t need to show it, as if in the end, in a traditional and stereotypical way, it was normal for women to take care of children. »
A stereotype that fuels a distorted vision of the family. ?I also take care of taking the photos. My albums are therefore my husband, a valiant single father, who raises his three children alone, what courage?, quips another internet user. “Not at all representative of who takes care of the kids the most”, still supports a mother. To anticipate possible remarks from his offspring, a user repeats often to his two children: ?Don’t forget that if the three of you are with your father in the photo, it was because I was behind the camera! »
@FilledAlbum I remember saying several times to my 2 children: “Remember that if you are all 3 with v? https://t.co/OgslFDNW0V
? Ellabuzze (@Ella Buzze)
Among the hundreds of testimonials received by Laura are “painful stories” of mothers with no ” no trace “ everyday moments spent with their children. In a post published on the HuffingtonPost American, the photographer Chelsey Hill remembers having made the same observation, concerning the absence of memories with her mother:
?I know that I spent hours with my mother, while she read me stories, brushed my hair or played tea party with me. But there is no hard evidence of those times. »
have to beg
The photographer then embarked on a personal project: ?take my picture alongside my daughters. » She encourages other mothers to do the same, ?regardless of their photography skills.? Among the testimonials received by Laura, some mention more or less successful tricks to make themselves more visible, such as asking their companion to take a picture of them. “I bully my husband on a regular basis, otherwise it looks like I’m not even here in my own life”, quips the cartoonist and blogger Maman BCBG. Many women regret having to “begging”, evoking inevitably missed photos, because without any spontaneity.
@FilledAlbum I persecute my husband on a regular basis, otherwise it looks like I’m not even there in my own life ?
? MomBCBG (@Mom BCBG)
For many, the selfie appears to be the ideal parade to compensate for their erasure. ?I have zero photos of me with a child or spouse. Except selfie taken by me?, testifies Lisa on Twitter. “The only photos I have of me are selfies, and with my daughter, it’s selfies for two”, abounds Edwige on the same social network. Others, less numerous, opt for the option of the professional photographer: ?But zero regrets, now I have a few more successful photos! »
How to create awareness? After one ?huge argument on the subject?, a mother says she challenged her husband ?to find a single photo of our daughter and me that isn’t a selfie. » By noticing the absence of an image of his wife, the latter realized the problem, before spontaneously taking a photo of their family.
@FilledAlbum It was a huge argument with my husband who didn’t see the problem. I challenged him to three? https://t.co/VLNuXY9mIh
? AuxPB (@Mw aux PB)
“For some, it has helped to move the lines, to take things in hand”, rejoices Laura, convinced that ?it is also on these everyday details that things will change. »
Cécile Bouanchaud
";}s:7:"summary";s:554:"JULIANE LIEBERMAN / UNSPLASH Dn her feminist commitment, Laura Vallet has a simple practice: counting the place of women in the different sections of society. In her job, the librarian, specialized in children’s literature and blogger on this theme, regularly counts the share of girls and boys in fiction, questioning the way in which each ... Read more";s:12:"atom_content";s:11101:"
JULIANE LIEBERMAN / UNSPLASH
Dn her feminist commitment, Laura Vallet has a simple practice: counting the place of women in the different sections of society. In her job, the librarian, specialized in children’s literature and blogger on this theme, regularly counts the share of girls and boys in fiction, questioning the way in which each is represented. In her privacy, the 35-year-old mother recently counted her appearances in the family album.
?Of the 450 photos I sorted, my husband appears twice as much as me alongside our children?, points out the mother of a 9-year-old boy and a 6-year-old girl, who only appears once on her own. “I felt a deep annoyance not to appear in any photo of everyday life when I am so much a part of it”, comments Laura, who appears mainly on ?the ritual photos? carried out each year by a third party at their place of marriage.
Intimate experience or the umpteenth manifestation of the mental and emotional burden that most often falls on women? To corroborate her intuition, Laura posted a terse question on Twitter on Monday, January 3: “Mothers: do we take a picture of you? » Nearly 400 responses, like so many ” me neither “. “It resonated with many women, I did not expect it”, she says.
Mothers: do we take a picture of you?
? FilledAlbum (@Album Girl)
?A system where the mother is always wronged?
“As soon as we raise a subject, we bring out a new reality of the mental and emotional load”, she notes, referring, in the specific case, “taking photos, sorting them, creating albums to allow the family to build their family story”.
For Illana Weizman, sociologist and author of This is my postpartum (Marabout, 2021), this illustration of the emotional charge is far from trivial. ?It contributes to the burden on mothers in almost all areas of parenthood, to emotions, to memories?, believes the feminist activist on the site madmoi cell, according to whom the enthusiasm around this tweet highlights ?a system where the mother is always wronged, where she always has to think of everything. »
An observation shared by Claudine Veuillet-Combier and Emmanuel Gratton, psychologists and researchers at the University of Angers and authors of Photographs of contemporary families, cross-perspectives between sociology and psychoanalysis (Rennes University Press, 2021). “We observe that it is often the women who manage the family heritage, who take the photos, classify them, comment on them and share them”, analyzes Claudine Veuillet-Combier, interviewed by France Inter.
Read also #MonPostPartum: a hashtag to free speech on postpartum
Invisibilisation
Worse, according to several testimonies published following Laura’s tweet, this dynamic contributes to the invisibilization of women in the family sphere. ?On my side, with the photos, we believe that it was the dad who bathed my daughter every day?, comments a surfer, specifying that the photos in question came, on the contrary, to underline a rare moment of everyday life.
@FilledAlbum On my side, with the photos, we believe that it was the dad who bathed my daughter every day? https://t.co/acP32Ublxw
? Prueret (@Hélène Bergès)
“Women need to make a visual record of the fact that men take care of the children, further analyzes Claudine Veuillet-Combier. Men don’t need to show it, as if in the end, in a traditional and stereotypical way, it was normal for women to take care of children. »
A stereotype that fuels a distorted vision of the family. ?I also take care of taking the photos. My albums are therefore my husband, a valiant single father, who raises his three children alone, what courage?, quips another internet user. “Not at all representative of who takes care of the kids the most”, still supports a mother. To anticipate possible remarks from his offspring, a user repeats often to his two children: ?Don’t forget that if the three of you are with your father in the photo, it was because I was behind the camera! »
@FilledAlbum I remember saying several times to my 2 children: “Remember that if you are all 3 with v? https://t.co/OgslFDNW0V
? Ellabuzze (@Ella Buzze)
Among the hundreds of testimonials received by Laura are “painful stories” of mothers with no ” no trace “ everyday moments spent with their children. In a post published on the HuffingtonPost American, the photographer Chelsey Hill remembers having made the same observation, concerning the absence of memories with her mother:
?I know that I spent hours with my mother, while she read me stories, brushed my hair or played tea party with me. But there is no hard evidence of those times. »
have to beg
The photographer then embarked on a personal project: ?take my picture alongside my daughters. » She encourages other mothers to do the same, ?regardless of their photography skills.? Among the testimonials received by Laura, some mention more or less successful tricks to make themselves more visible, such as asking their companion to take a picture of them. “I bully my husband on a regular basis, otherwise it looks like I’m not even here in my own life”, quips the cartoonist and blogger Maman BCBG. Many women regret having to “begging”, evoking inevitably missed photos, because without any spontaneity.
@FilledAlbum I persecute my husband on a regular basis, otherwise it looks like I’m not even there in my own life ?
? MomBCBG (@Mom BCBG)
For many, the selfie appears to be the ideal parade to compensate for their erasure. ?I have zero photos of me with a child or spouse. Except selfie taken by me?, testifies Lisa on Twitter. “The only photos I have of me are selfies, and with my daughter, it’s selfies for two”, abounds Edwige on the same social network. Others, less numerous, opt for the option of the professional photographer: ?But zero regrets, now I have a few more successful photos! »
How to create awareness? After one ?huge argument on the subject?, a mother says she challenged her husband ?to find a single photo of our daughter and me that isn’t a selfie. » By noticing the absence of an image of his wife, the latter realized the problem, before spontaneously taking a photo of their family.
@FilledAlbum It was a huge argument with my husband who didn’t see the problem. I challenged him to three? https://t.co/VLNuXY9mIh
? AuxPB (@Mw aux PB)
“For some, it has helped to move the lines, to take things in hand”, rejoices Laura, convinced that ?it is also on these everyday details that things will change. »
Cécile Bouanchaud
";s:14:"date_timestamp";i:1642230086;}i:4;a:11:{s:5:"title";s:64:"Large skin care test ? we test organic skin care ? Food Pharmacy";s:4:"link";s:89:"https://movs.world/magazine/large-skin-care-test-we-test-organic-skin-care-food-pharmacy/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 06:19:37 +0000";s:8:"category";s:44:"MagazinecarefoodlargeOrganicPharmacyskintest";s:4:"guid";s:89:"https://movs.world/magazine/large-skin-care-test-we-test-organic-skin-care-food-pharmacy/";s:11:"description";s:648:"In collaboration with parfym.se Do you also suffer from winter dry rent? Our need for moisturizing has never been greater than right now. Minus degrees, long-distance skating and cold mornings in the stable have left their mark. We definitely need to devote a few extra minutes to the skin every morning and evening! So therefore ... Read more";s:7:"content";a:1:{s:7:"encoded";s:6866:"
In collaboration with parfym.se
Do you also suffer from winter dry rent? Our need for moisturizing has never been greater than right now. Minus degrees, long-distance skating and cold mornings in the stable have left their mark. We definitely need to devote a few extra minutes to the skin every morning and evening!
So therefore it feels perfect to have the opportunity to try three really wonderful organic skin care brands together with parfym.se – The Organic Pharmacy, Oskia and Aurelia (the latter is a probiotic skin care brand). Right now (all of January) they have a 25% discount on all facial care, but if you enter the code “Foodpharmacy” here, you get additional 5% discount. So 30% discount in total!
But before we start, we feel the need to point out that none of us believe in miracles. Skin care comes at least as much from the inside, but that does not mean that you can not care from the outside as well. Good skin care + good food + good sleep + not too much stress + just enough exercise + good? yes, you probably understand where we want to go! It is a combo of quite a few different factors that gives a nice complexion with radiance.
“Many small streams?” is rather our beauty philosophy.
Can also take the opportunity to tell you that we have completely different needs and requirements when it comes to skin care. Mia loves skin care – the more different serums and creams the better. She wants her morning and evening routine in the bathroom to take her little time and that she should feel properly moisturized, almost “saturated” when she is done. If the cream is absorbed too quickly, she feels dry and dissatisfied.
Lina is the exact opposite – she prefers not to lubricate herself at all, so for her it is important to find a skin care brand that feels light and simple. She does not like to feel glossy or oily, on the contrary, the cream must be absorbed quickly and preferably make as little fuss as possible (as long as it does the job, of course).
So, are you ready for our favorites? Get inspired and do not forget to use the discount code ?Foodpharmacy? when you click here you get the whole 30% discount on the entire skin care range (the offer is valid in January and can not be combined with other promotions or premium brands).
Four products that have really impressed us:
Carrot Cleanse från The Organic Pharmacy
Mia loves The Organic Pharmacy and above all she loves their carrot cleaning. So PUT OFF, this conditioner MELTS into the skin. The worst thing Mia knows is cleansing that leaves the skin dry and rough and this is really the exact opposite of it? feels like cleansing and care in one! Carrot Butter Cleanser is 99.8% organic and a best-selling cleansing balm with shea butter, antioxidants from carrot and marigold, detoxifying rosemary and soothing lavender. Suitable for all skin types, perfect as an evening cleanser. Try!
Cell Revitalize Day Moisturizer from Aurelia
Go ahead, here you have a day cream with a really wow feeling. The first word that pops up when we lubricate ourselves with this cream is “luxury mousse”. So beautiful and lovely, blends into the skin perfectly, smells wonderful and actually leaves both of us equally happy. Cell Revitalize Day Moisturizer has won numerous awards and we really understand why. The cream is probiotic and consists of 100% natural and herbal ingredients with aromas from essential oils such as jasmine and mandarin. Can be used on all skin types, even sensitive.
Bedtime Beauty Boost från Oskia
We have a new best friend at night and it’s called Bedtime Beauty Boost and comes from Oskia. It is rich in nutrients and flower extracts that are said to give the skin a super-charging health and beauty boost, but the reason we love this cream is that we wake up with a softer skin when we use it. End of message, try NOW!
The Probiotic Contentrate from Aurelia
Okay, we can NOT try Aurelia’s probiotic super concentrate! Lina thought it tingled a little on the skin the first time she used it, Mia did not feel any tingling. Both like sharp! It is said to be perfect for skin with pigmentation, deep wrinkles, lack of elasticity, hormonal imbalances and lack of luster and the serum also protects against air pollution. Time will tell if it works! Feel free to combine with Revitalize & Glow Serum, Balance and Glow Day Oil, Cell Repair Night Oil and / or Cell Revitalize Day Moisturizer.
Hope this post could be of some help, good luck with your winter blank skin!
";}s:7:"summary";s:648:"In collaboration with parfym.se Do you also suffer from winter dry rent? Our need for moisturizing has never been greater than right now. Minus degrees, long-distance skating and cold mornings in the stable have left their mark. We definitely need to devote a few extra minutes to the skin every morning and evening! So therefore ... Read more";s:12:"atom_content";s:6866:"
In collaboration with parfym.se
Do you also suffer from winter dry rent? Our need for moisturizing has never been greater than right now. Minus degrees, long-distance skating and cold mornings in the stable have left their mark. We definitely need to devote a few extra minutes to the skin every morning and evening!
So therefore it feels perfect to have the opportunity to try three really wonderful organic skin care brands together with parfym.se – The Organic Pharmacy, Oskia and Aurelia (the latter is a probiotic skin care brand). Right now (all of January) they have a 25% discount on all facial care, but if you enter the code “Foodpharmacy” here, you get additional 5% discount. So 30% discount in total!
But before we start, we feel the need to point out that none of us believe in miracles. Skin care comes at least as much from the inside, but that does not mean that you can not care from the outside as well. Good skin care + good food + good sleep + not too much stress + just enough exercise + good? yes, you probably understand where we want to go! It is a combo of quite a few different factors that gives a nice complexion with radiance.
“Many small streams?” is rather our beauty philosophy.
Can also take the opportunity to tell you that we have completely different needs and requirements when it comes to skin care. Mia loves skin care – the more different serums and creams the better. She wants her morning and evening routine in the bathroom to take her little time and that she should feel properly moisturized, almost “saturated” when she is done. If the cream is absorbed too quickly, she feels dry and dissatisfied.
Lina is the exact opposite – she prefers not to lubricate herself at all, so for her it is important to find a skin care brand that feels light and simple. She does not like to feel glossy or oily, on the contrary, the cream must be absorbed quickly and preferably make as little fuss as possible (as long as it does the job, of course).
So, are you ready for our favorites? Get inspired and do not forget to use the discount code ?Foodpharmacy? when you click here you get the whole 30% discount on the entire skin care range (the offer is valid in January and can not be combined with other promotions or premium brands).
Four products that have really impressed us:
Carrot Cleanse från The Organic Pharmacy
Mia loves The Organic Pharmacy and above all she loves their carrot cleaning. So PUT OFF, this conditioner MELTS into the skin. The worst thing Mia knows is cleansing that leaves the skin dry and rough and this is really the exact opposite of it? feels like cleansing and care in one! Carrot Butter Cleanser is 99.8% organic and a best-selling cleansing balm with shea butter, antioxidants from carrot and marigold, detoxifying rosemary and soothing lavender. Suitable for all skin types, perfect as an evening cleanser. Try!
Cell Revitalize Day Moisturizer from Aurelia
Go ahead, here you have a day cream with a really wow feeling. The first word that pops up when we lubricate ourselves with this cream is “luxury mousse”. So beautiful and lovely, blends into the skin perfectly, smells wonderful and actually leaves both of us equally happy. Cell Revitalize Day Moisturizer has won numerous awards and we really understand why. The cream is probiotic and consists of 100% natural and herbal ingredients with aromas from essential oils such as jasmine and mandarin. Can be used on all skin types, even sensitive.
Bedtime Beauty Boost från Oskia
We have a new best friend at night and it’s called Bedtime Beauty Boost and comes from Oskia. It is rich in nutrients and flower extracts that are said to give the skin a super-charging health and beauty boost, but the reason we love this cream is that we wake up with a softer skin when we use it. End of message, try NOW!
The Probiotic Contentrate from Aurelia
Okay, we can NOT try Aurelia’s probiotic super concentrate! Lina thought it tingled a little on the skin the first time she used it, Mia did not feel any tingling. Both like sharp! It is said to be perfect for skin with pigmentation, deep wrinkles, lack of elasticity, hormonal imbalances and lack of luster and the serum also protects against air pollution. Time will tell if it works! Feel free to combine with Revitalize & Glow Serum, Balance and Glow Day Oil, Cell Repair Night Oil and / or Cell Revitalize Day Moisturizer.
Hope this post could be of some help, good luck with your winter blank skin!
";s:14:"date_timestamp";i:1642227577;}i:5;a:11:{s:5:"title";s:64:"?When my grandmother first entered the set, I cried in torrents?";s:4:"link";s:90:"https://movs.world/magazine/when-my-grandmother-first-entered-the-set-i-cried-in-torrents/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 06:09:23 +0000";s:8:"category";s:42:"Magazinecriedenteredgrandmothersettorrents";s:4:"guid";s:90:"https://movs.world/magazine/when-my-grandmother-first-entered-the-set-i-cried-in-torrents/";s:11:"description";s:640:"Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter. Thomas Jolly, 4 years old, in 1986. ?At that age, I was already beginning to stage my family and my friends in ... Read more";s:7:"content";a:1:{s:7:"encoded";s:6112:"
Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter.
Thomas Jolly, 4 years old, in 1986. ?At that age, I was already beginning to stage my family and my friends in shows at home,? he says. THOMAS JOLLY
?Here I am on what must be Christmas Eve 1986, in Normandy. I’m 4 years old and my hair is still straight. I love this velvet sofa, these little slippers and this shiny suit that my grandmother Denise had made for me. Later, there will be other costumes for other Christmases: I remember in particular a model all in gold and silver…
At that age, I was already beginning to stage my family and my friends in shows at home, in La Rue-Saint-Pierre, a village in Seine-Maritime. Before I tackle Seven pranks for schoolchildren, by Pierre Gripari, given to me by my mother when I was around 6 years old, I was doing cartoon scenes. I have great memories ofAsterix and Cleopatra, in particular, where a friend played the taster when it was I who played Cleopatra!
I regularly went on vacation to my grandparents, near Saint-Martin-du-Vivier. My grandfather gave catechism lessons to children in their house, I saw them disembark on Wednesdays and, I who did not receive a religious education, I was on the side, listening with half an ear without really understanding . My grandmother had been a nurse. Ah, my grandmother? A very beautiful woman, a whimsical side that I have always loved. Scarves, jewelry, hats, gloves, colors… Elegant.
?I thought to what extent we theater people had already lost, at the age of 20, the exceptional dimension of what it is to go on stage. »
At the end of my studies at the National Theater of Brittany, in 2005, Stanislas Nordey, who was the director, gave us carte blanche to put on a play. I have chosen Photography, by Jean-Luc Lagarce, a little played text around friendship, this complex relationship which remains a mystery to me. The play tells the story of seven old friends who have experienced a tragedy. With an absent, Catherine.
Members of my class, aged 20 to 25, played the characters, and I wanted it to be imagined that these young people were actually dead and that this Catherine, who has a monologue, was the only one who survived. For this, an older actress was needed. ?Ask Isabelle Huppert?, Nordey suggested to me when I was just a 23-year-old college student. I had another idea: what if I proposed to my grandmother? Without really believing it, I call her and she answers me:?Yes, of course, I’m coming.” I was touched.
Read also Article reserved for our subscribers Thomas Jolly, theater as a vital principle
On stage, I ask him to start from the back of the stage, to come and sit on a chair in the foreground. She had to remain static, silent, while the text of the monologue was projected behind her and Isle of the Dead, by Rachmaninoff. When she first entered the set, during rehearsals, I cried profusely.
The Taste of M
I thought to what extent we theater people had already lost, at the age of 20, the exceptional dimension of what it is to go on stage. I saw her in great vulnerability covering the twenty meters that I had traced and it overwhelmed me. During a lunch, I thanked her again for having accepted. It was there that she confided to me that, when she was younger, her first dream was to become an actress.
Read also David Foenkinos: “My books are so often about rebuilding, about surviving an ordeal”
I was upset. Perhaps this is one of the keys to my vocation? Does the desire to play pass in a filial way, in an underground way? In this family where no one went to the theater or the opera, it’s as if I had inherited, without being aware of it, a frustrated desire to finally make it happen. »
The Dragon, by Evgueni Schwartz, directed by Thomas Jolly. At the Quai d’Angers, from January 18 to 25. Then on tour.
Valentine Perez
";}s:7:"summary";s:640:"Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter. Thomas Jolly, 4 years old, in 1986. ?At that age, I was already beginning to stage my family and my friends in ... Read more";s:12:"atom_content";s:6112:"
Long-term investigations and spectacular fashion series, in-depth portraits and good addresses? Every Sunday, find the offbeat look of “M Le magazine du Monde” on current events and style by subscribing to its newsletter.
Thomas Jolly, 4 years old, in 1986. ?At that age, I was already beginning to stage my family and my friends in shows at home,? he says. THOMAS JOLLY
?Here I am on what must be Christmas Eve 1986, in Normandy. I’m 4 years old and my hair is still straight. I love this velvet sofa, these little slippers and this shiny suit that my grandmother Denise had made for me. Later, there will be other costumes for other Christmases: I remember in particular a model all in gold and silver…
At that age, I was already beginning to stage my family and my friends in shows at home, in La Rue-Saint-Pierre, a village in Seine-Maritime. Before I tackle Seven pranks for schoolchildren, by Pierre Gripari, given to me by my mother when I was around 6 years old, I was doing cartoon scenes. I have great memories ofAsterix and Cleopatra, in particular, where a friend played the taster when it was I who played Cleopatra!
I regularly went on vacation to my grandparents, near Saint-Martin-du-Vivier. My grandfather gave catechism lessons to children in their house, I saw them disembark on Wednesdays and, I who did not receive a religious education, I was on the side, listening with half an ear without really understanding . My grandmother had been a nurse. Ah, my grandmother? A very beautiful woman, a whimsical side that I have always loved. Scarves, jewelry, hats, gloves, colors… Elegant.
?I thought to what extent we theater people had already lost, at the age of 20, the exceptional dimension of what it is to go on stage. »
At the end of my studies at the National Theater of Brittany, in 2005, Stanislas Nordey, who was the director, gave us carte blanche to put on a play. I have chosen Photography, by Jean-Luc Lagarce, a little played text around friendship, this complex relationship which remains a mystery to me. The play tells the story of seven old friends who have experienced a tragedy. With an absent, Catherine.
Members of my class, aged 20 to 25, played the characters, and I wanted it to be imagined that these young people were actually dead and that this Catherine, who has a monologue, was the only one who survived. For this, an older actress was needed. ?Ask Isabelle Huppert?, Nordey suggested to me when I was just a 23-year-old college student. I had another idea: what if I proposed to my grandmother? Without really believing it, I call her and she answers me:?Yes, of course, I’m coming.” I was touched.
Read also Article reserved for our subscribers Thomas Jolly, theater as a vital principle
On stage, I ask him to start from the back of the stage, to come and sit on a chair in the foreground. She had to remain static, silent, while the text of the monologue was projected behind her and Isle of the Dead, by Rachmaninoff. When she first entered the set, during rehearsals, I cried profusely.
The Taste of M
I thought to what extent we theater people had already lost, at the age of 20, the exceptional dimension of what it is to go on stage. I saw her in great vulnerability covering the twenty meters that I had traced and it overwhelmed me. During a lunch, I thanked her again for having accepted. It was there that she confided to me that, when she was younger, her first dream was to become an actress.
Read also David Foenkinos: “My books are so often about rebuilding, about surviving an ordeal”
I was upset. Perhaps this is one of the keys to my vocation? Does the desire to play pass in a filial way, in an underground way? In this family where no one went to the theater or the opera, it’s as if I had inherited, without being aware of it, a frustrated desire to finally make it happen. »
The Dragon, by Evgueni Schwartz, directed by Thomas Jolly. At the Quai d’Angers, from January 18 to 25. Then on tour.
Valentine Perez
";s:14:"date_timestamp";i:1642226963;}i:6;a:11:{s:5:"title";s:47:"how are the little French schoolchildren doing?";s:4:"link";s:75:"https://movs.world/magazine/how-are-the-little-french-schoolchildren-doing/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 05:18:28 +0000";s:8:"category";s:28:"MagazineFrenchschoolchildren";s:4:"guid";s:75:"https://movs.world/magazine/how-are-the-little-french-schoolchildren-doing/";s:11:"description";s:585:"Avril, 7 years old, in CE1, in her Parisian room. She was photographed by her mom, Julie, on January 12, 2022. JIE HIPPIE POP – FAMILY ARCHIVES There’s a kind of reassuring little music that we’ve always been playing: children have a tremendous capacity for adaptation. Convenient, when you have to take what most adults ... Read more";s:7:"content";a:1:{s:7:"encoded";s:4693:"
Avril, 7 years old, in CE1, in her Parisian room. She was photographed by her mom, Julie, on January 12, 2022. JIE HIPPIE POP – FAMILY ARCHIVES
There’s a kind of reassuring little music that we’ve always been playing: children have a tremendous capacity for adaptation. Convenient, when you have to take what most adults can’t stand. For example: three tests per week and wearing a mask outside. Gaspard is 8 years old. He is in CE2 in an elementary school of 5e district of Marseilles. He would like ?ask the president if we could never wear the masks again. Otherwise, just not in the playground. But still, no more at all would be better. » Like other small French schoolchildren, Gaspard has been absorbing, for a little less than two years, the stack of health rules put in place at school.
Read the Decoders article: Health protocol at school: 19 changes to the rules in less than two years
And they adapt. Not without tears or without fear, but they do what they are told, the little ones. Despite the weakening of their social ties, disrupted learning, the uncertainty of tomorrow, the anguish of death, young French schoolchildren are strong. “It’s not difficult, but it’s hard”, this is the basis of their philosophy.After spinning behind the screen or sitting at a table, facing us, primary school students, aged 7 to 10, agreed to answer the question from a distance: ” How are you ? » In their answers without filter or lament, it is less carelessness that is expressed than unconscious resistance. On January 14, the national education system announced more than 330,000 contaminations in one week among students, and 14,380 classes closed. A record since March 2020.
Gaspard, 8, and his little brother Joseph, 7, alongside their mother Charlotte, in their apartment in Marseille, January 10, 2022. CAPTURE D’ECRAN GOOGLE MEET
?It takes time away from us to play together?
Arthur, 10, goes to bed every night not knowing if he will go to school the next morning. ?When mum receives the email in the evening at 10 p.m., I am already asleep. » When there is no school, ?sometimes it’s a bit hard to do the homework alone, because mom is there, but she’s working?. And then ?Sometimes I’m very bored because I don’t see my friends too much. There are some, it’s been so long since I’ve seen them that I can’t count. That’s why I like going to school, to have a little laugh, because we always laugh with my friends. »
When there is no school and the homework is done, there is Deadly Adele, books, stickers, toys, TV or a nap. All-you-can-eat crisps, pancakes with mom. The stories we tell ourselves while bored or the activities we are lucky enough to be able to do on the side. Dance lessons, music theory, gymnastics, music, foreign languages? Not all children are in the same boat.
You have 69.62% of this article left to read. The following is for subscribers only.
";}s:7:"summary";s:585:"Avril, 7 years old, in CE1, in her Parisian room. She was photographed by her mom, Julie, on January 12, 2022. JIE HIPPIE POP – FAMILY ARCHIVES There’s a kind of reassuring little music that we’ve always been playing: children have a tremendous capacity for adaptation. Convenient, when you have to take what most adults ... Read more";s:12:"atom_content";s:4693:"
Avril, 7 years old, in CE1, in her Parisian room. She was photographed by her mom, Julie, on January 12, 2022. JIE HIPPIE POP – FAMILY ARCHIVES
There’s a kind of reassuring little music that we’ve always been playing: children have a tremendous capacity for adaptation. Convenient, when you have to take what most adults can’t stand. For example: three tests per week and wearing a mask outside. Gaspard is 8 years old. He is in CE2 in an elementary school of 5e district of Marseilles. He would like ?ask the president if we could never wear the masks again. Otherwise, just not in the playground. But still, no more at all would be better. » Like other small French schoolchildren, Gaspard has been absorbing, for a little less than two years, the stack of health rules put in place at school.
Read the Decoders article: Health protocol at school: 19 changes to the rules in less than two years
And they adapt. Not without tears or without fear, but they do what they are told, the little ones. Despite the weakening of their social ties, disrupted learning, the uncertainty of tomorrow, the anguish of death, young French schoolchildren are strong. “It’s not difficult, but it’s hard”, this is the basis of their philosophy.After spinning behind the screen or sitting at a table, facing us, primary school students, aged 7 to 10, agreed to answer the question from a distance: ” How are you ? » In their answers without filter or lament, it is less carelessness that is expressed than unconscious resistance. On January 14, the national education system announced more than 330,000 contaminations in one week among students, and 14,380 classes closed. A record since March 2020.
Gaspard, 8, and his little brother Joseph, 7, alongside their mother Charlotte, in their apartment in Marseille, January 10, 2022. CAPTURE D’ECRAN GOOGLE MEET
?It takes time away from us to play together?
Arthur, 10, goes to bed every night not knowing if he will go to school the next morning. ?When mum receives the email in the evening at 10 p.m., I am already asleep. » When there is no school, ?sometimes it’s a bit hard to do the homework alone, because mom is there, but she’s working?. And then ?Sometimes I’m very bored because I don’t see my friends too much. There are some, it’s been so long since I’ve seen them that I can’t count. That’s why I like going to school, to have a little laugh, because we always laugh with my friends. »
When there is no school and the homework is done, there is Deadly Adele, books, stickers, toys, TV or a nap. All-you-can-eat crisps, pancakes with mom. The stories we tell ourselves while bored or the activities we are lucky enough to be able to do on the side. Dance lessons, music theory, gymnastics, music, foreign languages? Not all children are in the same boat.
You have 69.62% of this article left to read. The following is for subscribers only.
";s:14:"date_timestamp";i:1642223908;}i:7;a:11:{s:5:"title";s:55:"?We must face with irony the malaise that surrounds us?";s:4:"link";s:82:"https://movs.world/magazine/we-must-face-with-irony-the-malaise-that-surrounds-us/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Sat, 15 Jan 2022 02:08:25 +0000";s:8:"category";s:33:"MagazinefaceironyMalaisesurrounds";s:4:"guid";s:82:"https://movs.world/magazine/we-must-face-with-irony-the-malaise-that-surrounds-us/";s:11:"description";s:617:"Paolo Sorrentino at the Saint Victor café, in the fifth arrondissement of Paris, on November 27, 2021. MARCO CASTRO FOR ?THE WORLD? Under his hat, Paolo Sorrentino thought he was going incognito. However, as soon as he arrives at the Saint-Victor café, two Italians stare at him with admiring eyes, and snatch a selfie from ... Read more";s:7:"content";a:1:{s:7:"encoded";s:3917:"
Paolo Sorrentino at the Saint Victor café, in the fifth arrondissement of Paris, on November 27, 2021. MARCO CASTRO FOR ?THE WORLD?
Under his hat, Paolo Sorrentino thought he was going incognito. However, as soon as he arrives at the Saint-Victor café, two Italians stare at him with admiring eyes, and snatch a selfie from him. On the other side of the Alps, the filmmaker is an icon: in Naples, the city where he spent his first thirty years, the Christmas cribs house figurines bearing his effigy. On this chilly winter evening, he gave us a date a stone’s throw from his Parisian pied-à-terre, between the Maison de la Mutualité and the Saint-Nicolas-du-Chardonnet church, in the Latin Quarter.
Socialist red and Catholic black: the big gap fits him like a glove. See his filmography, which scrutinizes sometimes earthly power (The celebrity, 2008 ; Silvio and the others, 2018), sometimes spiritual (the series The Young Pope and The New Pope, from 2016 to 2020). Look at his parents, too: a banker and communist father; a mother raised by nuns who covered her with pins when she went to the cinema, so that she wouldn’t be groped.
“It’s a story full of pitfalls: victimization, complacency, watering down… I waited until I had enough experience to tell it”
Sorrentino’s first visit to Paris came shortly after their deaths, in the mid-1980s. ?My brother pushed me to travel, to get a change of scenery,? he rewinds. During a stay in their second home in Abruzzo, her parents are asphyxiated by a faulty stove. Paolo is 16 years old; his brother and sister, nine and thirteen years older, will watch over him. In full mourning, they discover a half-brother, from a paternal affair with a colleague. This trauma is at the heart of God’s hand, released in December 2021 on Netflix. The film is in the running for the Oscar for best foreign language film, which Sorrentino already won in 2014 with The great beauty. This is his most personal work; the most poignant and refined, too. “This time, I didn’t care about making beautiful plans, there is little music, confess this great mannerist before the Lord. It’s a story full of pitfalls: victimization, complacency, watering down? I waited until I had enough experience to tell it, with the right distance. »
On the day of the tragedy, rather than join his parents, Sorrentino remained to support the Napoli team, and his adored player, Diego Maradona. It is to his hand, with which he scored a famous goal, that the title refers. ?I owe him my life. He died during the editing, on my children’s birthday. I couldn’t be happy and I felt very guilty about it. It’s strange to be so sad for someone you don’t know ? even if we had met once, in Madrid. »
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";}s:7:"summary";s:617:"Paolo Sorrentino at the Saint Victor café, in the fifth arrondissement of Paris, on November 27, 2021. MARCO CASTRO FOR ?THE WORLD? Under his hat, Paolo Sorrentino thought he was going incognito. However, as soon as he arrives at the Saint-Victor café, two Italians stare at him with admiring eyes, and snatch a selfie from ... Read more";s:12:"atom_content";s:3917:"
Paolo Sorrentino at the Saint Victor café, in the fifth arrondissement of Paris, on November 27, 2021. MARCO CASTRO FOR ?THE WORLD?
Under his hat, Paolo Sorrentino thought he was going incognito. However, as soon as he arrives at the Saint-Victor café, two Italians stare at him with admiring eyes, and snatch a selfie from him. On the other side of the Alps, the filmmaker is an icon: in Naples, the city where he spent his first thirty years, the Christmas cribs house figurines bearing his effigy. On this chilly winter evening, he gave us a date a stone’s throw from his Parisian pied-à-terre, between the Maison de la Mutualité and the Saint-Nicolas-du-Chardonnet church, in the Latin Quarter.
Socialist red and Catholic black: the big gap fits him like a glove. See his filmography, which scrutinizes sometimes earthly power (The celebrity, 2008 ; Silvio and the others, 2018), sometimes spiritual (the series The Young Pope and The New Pope, from 2016 to 2020). Look at his parents, too: a banker and communist father; a mother raised by nuns who covered her with pins when she went to the cinema, so that she wouldn’t be groped.
“It’s a story full of pitfalls: victimization, complacency, watering down… I waited until I had enough experience to tell it”
Sorrentino’s first visit to Paris came shortly after their deaths, in the mid-1980s. ?My brother pushed me to travel, to get a change of scenery,? he rewinds. During a stay in their second home in Abruzzo, her parents are asphyxiated by a faulty stove. Paolo is 16 years old; his brother and sister, nine and thirteen years older, will watch over him. In full mourning, they discover a half-brother, from a paternal affair with a colleague. This trauma is at the heart of God’s hand, released in December 2021 on Netflix. The film is in the running for the Oscar for best foreign language film, which Sorrentino already won in 2014 with The great beauty. This is his most personal work; the most poignant and refined, too. “This time, I didn’t care about making beautiful plans, there is little music, confess this great mannerist before the Lord. It’s a story full of pitfalls: victimization, complacency, watering down? I waited until I had enough experience to tell it, with the right distance. »
On the day of the tragedy, rather than join his parents, Sorrentino remained to support the Napoli team, and his adored player, Diego Maradona. It is to his hand, with which he scored a famous goal, that the title refers. ?I owe him my life. He died during the editing, on my children’s birthday. I couldn’t be happy and I felt very guilty about it. It’s strange to be so sad for someone you don’t know ? even if we had met once, in Madrid. »
You have 67.19% of this article left to read. The following is for subscribers only.
";s:14:"date_timestamp";i:1642212505;}i:8;a:11:{s:5:"title";s:74:"Icon Collection thinks big and seeks 300 collaborators for the 2022 season";s:4:"link";s:103:"https://movs.world/magazine/icon-collection-thinks-big-and-seeks-300-collaborators-for-the-2022-season/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Fri, 14 Jan 2022 14:52:34 +0000";s:8:"category";s:245:"MagazineAncient Podere San FrancescobigBorgo VerdeBrunelleschi HotelcollaboratorscollectionDavid FantiniFederico FiccanterriGrand Hotel Principe di PiemonteICONIcon CollectionNosersPark Hotel MarinettaseasonseeksThe Sense Experience Resortthinks";s:4:"guid";s:103:"https://movs.world/magazine/icon-collection-thinks-big-and-seeks-300-collaborators-for-the-2022-season/";s:11:"description";s:672:"Professionalism, experience and a great desire to get involved in a new context for one’s personal and professional growth in a young and dynamic environment: these are the basic requirements of the figures that the Icon Collection is looking for today for two of the properties in its portfolio: The Sense Experience Resort in Follonica ... Read more";s:7:"content";a:1:{s:7:"encoded";s:4353:"
Professionalism, experience and a great desire to get involved in a new context for one’s personal and professional growth in a young and dynamic environment: these are the basic requirements of the figures that the Icon Collection is looking for today for two of the properties in its portfolio: The Sense Experience Resort in Follonica and the Park Hotel Marinetta in Marina di Bibbona. Various positions are open for the next 2022 season: from the hse director to the hse manager and the implementation manager, the latter figure dedicated to transferring the vision of the group product / service to the structures; but also chef de rang, kitchen and dining commis, restaurant hostesses, reception staff and others for a total of about 300 resources. The company will also set quality objectives upon the achievement of which an additional reward will be recognized, as already happened in 2021. Some of the fixed-term contracts will start from the beginning of the year, depending on the role covered within the accommodation facility , so as to allow guests to find a ready and welcoming structure.
?Hospitality is a broad concept that must necessarily take care of every detail in mind – he explains Federico Ficcanterri, president of Icon Collection -. The goal for our facilities and in particular for The Sense Experience Resort and the Park Hotel Marinetta is to give guests a unique sensory experience, which gives unforgettable sensations. This is why we are looking for numerous qualified professionals, including new ones, who will satisfy all the needs of the guest so that they can feel in the comfort of home but surrounded by luxury and lots of extra attention. It is therefore not the guest who has to adapt to the structure, but the structure that declines according to the guests “.
At the same time, the company looks to the future and to new projects such as the search for additional structures to be acquired in the coming months, especially in the main cities of art, as well as the renovation and repositioning of the Park Hotel Marinetta, which has recently been entrusted to studio Noah of Bolzano for the rebranding, with the aim of becoming one of the most important family resorts in Italy. Subsequently, the other structures will also be subject to major investments: the Antico Podere San Francesco in Vada, entrusted to the architect’s great professionalism and experience David Fantini, will see the construction of 11 new housing units and a bio-lake swimming pool for couples in addition to the existing one dedicated to families. It will therefore be subject to a strategic repositioning: from a farmhouse it will become a light resort. Also will be made of interventions also at Borgo Verde, which will be directed more towards families. Finally, the construction of a new spa and another 30 suites is planned at The Sense Experience Resort in the near future. The overall project is of unify the four structures under the The Sense Experience Collection brand.
Icon Collection, born in 2019, is the company of the Ficcanterri entrepreneurial group that manages the sales & marketing, administration, finance, management control and human resources areas for four structures: The Sense Experience Resort, Park Hotel Marinetta, Antico Podere San Francesco and Borgo Verde which are located in Maremma and on the Etruscan Coast.
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";}s:7:"summary";s:672:"Professionalism, experience and a great desire to get involved in a new context for one’s personal and professional growth in a young and dynamic environment: these are the basic requirements of the figures that the Icon Collection is looking for today for two of the properties in its portfolio: The Sense Experience Resort in Follonica ... Read more";s:12:"atom_content";s:4353:"
Professionalism, experience and a great desire to get involved in a new context for one’s personal and professional growth in a young and dynamic environment: these are the basic requirements of the figures that the Icon Collection is looking for today for two of the properties in its portfolio: The Sense Experience Resort in Follonica and the Park Hotel Marinetta in Marina di Bibbona. Various positions are open for the next 2022 season: from the hse director to the hse manager and the implementation manager, the latter figure dedicated to transferring the vision of the group product / service to the structures; but also chef de rang, kitchen and dining commis, restaurant hostesses, reception staff and others for a total of about 300 resources. The company will also set quality objectives upon the achievement of which an additional reward will be recognized, as already happened in 2021. Some of the fixed-term contracts will start from the beginning of the year, depending on the role covered within the accommodation facility , so as to allow guests to find a ready and welcoming structure.
?Hospitality is a broad concept that must necessarily take care of every detail in mind – he explains Federico Ficcanterri, president of Icon Collection -. The goal for our facilities and in particular for The Sense Experience Resort and the Park Hotel Marinetta is to give guests a unique sensory experience, which gives unforgettable sensations. This is why we are looking for numerous qualified professionals, including new ones, who will satisfy all the needs of the guest so that they can feel in the comfort of home but surrounded by luxury and lots of extra attention. It is therefore not the guest who has to adapt to the structure, but the structure that declines according to the guests “.
At the same time, the company looks to the future and to new projects such as the search for additional structures to be acquired in the coming months, especially in the main cities of art, as well as the renovation and repositioning of the Park Hotel Marinetta, which has recently been entrusted to studio Noah of Bolzano for the rebranding, with the aim of becoming one of the most important family resorts in Italy. Subsequently, the other structures will also be subject to major investments: the Antico Podere San Francesco in Vada, entrusted to the architect’s great professionalism and experience David Fantini, will see the construction of 11 new housing units and a bio-lake swimming pool for couples in addition to the existing one dedicated to families. It will therefore be subject to a strategic repositioning: from a farmhouse it will become a light resort. Also will be made of interventions also at Borgo Verde, which will be directed more towards families. Finally, the construction of a new spa and another 30 suites is planned at The Sense Experience Resort in the near future. The overall project is of unify the four structures under the The Sense Experience Collection brand.
Icon Collection, born in 2019, is the company of the Ficcanterri entrepreneurial group that manages the sales & marketing, administration, finance, management control and human resources areas for four structures: The Sense Experience Resort, Park Hotel Marinetta, Antico Podere San Francesco and Borgo Verde which are located in Maremma and on the Etruscan Coast.
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";s:14:"date_timestamp";i:1642171954;}i:9;a:11:{s:5:"title";s:95:"Alta Badia and Nos Ladins-Noi Latini, an exhibition to experience the territory as a true local";s:4:"link";s:123:"https://movs.world/magazine/alta-badia-and-nos-ladins-noi-latini-an-exhibition-to-experience-the-territory-as-a-true-local/";s:2:"dc";a:1:{s:7:"creator";s:11:"Susan Hally";}s:7:"pubdate";s:31:"Fri, 14 Jan 2022 14:02:37 +0000";s:8:"category";s:92:"MagazineAltaAlta BadiaBadiaexhibitionexperienceLadinsNoiLatinilocalnosterritorytrueWe Latins";s:4:"guid";s:123:"https://movs.world/magazine/alta-badia-and-nos-ladins-noi-latini-an-exhibition-to-experience-the-territory-as-a-true-local/";s:11:"description";s:727:"Alex Moling’s photo Alta Badia, in the heart of the Dolomites Unesco World Heritage, it is an authentic place, rich in culture and millenary traditions, which distinguish the Ladins, the inhabitants of these lands. The Nos Ladins – Noi Ladini project aims to bring the tourist closer to traditions and the local way of life. ... Read more";s:7:"content";a:1:{s:7:"encoded";s:4264:"
Alex Moling’s photo
Alta Badia, in the heart of the Dolomites Unesco World Heritage, it is an authentic place, rich in culture and millenary traditions, which distinguish the Ladins, the inhabitants of these lands. The Nos Ladins – Noi Ladini project aims to bring the tourist closer to traditions and the local way of life.
The Nos Ladins – Noi Ladini exhibition gives the opportunity to those who frequent Alta Badia, to carry out activities together with the people who live in these lands. The undisputed protagonists of the project share a deep innate passion for the places, where they were born and raised. Many appointments
Spend a few hours with Nikolas, a young local baker it means discovering the world of baking from a very privileged point of view. Nikolas will reveal to the participants some secrets of his preparations, from the typical puccia, to the various types of bread that are brought to the table in Alta Badia. These are the events that take place in the family bakery: February 2 and March 23, 2022.
The appointment with Betty, an energetic woman and young mother is scheduled for March 30th in a typical farm in the valley. The afternoon is reserved for the decoration of Easter eggs, an activity that is very widespread and felt in all the Ladin valleys. The appointment is dedicated not only to adults, but also to children.
Two unmissable events for those who love ski mountaineering and admire the sunrise in the midst of a spectacular scenery such as the Dolomites. Participants in the events of January 19th and March 16th 2022 will be accompanied by Roman, an expert local mountain guide.
On 9 February and 2 March it will be possible to discover and taste, together with the young sommelier Kristin, some of the best South Tyrolean wines and some local grappa. The tastings will take place in an ancient cellar, which will give a typical and authentic atmosphere.
Norbert is a master in the preparation and waxing of skis. He will show and try how skis are arranged and set up at a rental in Alta Badia. Norbert carries out his work with attention to detail, from waxing to sharpening the blades. Furthermore, Norbert will also make the skis of those who participate in the appointment with him on 9 March 2022 perfect.
Every evening, after the slopes have closed, the numerous snow cats set to work to ensure perfectly prepared slopes for the next day. Being a cat driver is not an easy job, but it is certainly very exciting. Experiencing the thrill of getting on a snowmobile and preparing a ski slope is certainly a unique emotion, which can be experienced together with Julia and Daniel, on the evenings of February 17 and March 3 2022.
Skiing with a local, who knows every turn that can be done on skis, that tells the stories of the places and of the people who live or have lived them, that knows how to describe the beauty of the environment from a particular point of view is an experience that goes beyond the hour made with the ski instructor. Each appointment will take place with a different insider, in different locations. These are the appointments: January 26, February 3 and 10, March 17 and 24. Reservations are required at the Alta Badia Tourist Offices.
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";}s:7:"summary";s:727:"Alex Moling’s photo Alta Badia, in the heart of the Dolomites Unesco World Heritage, it is an authentic place, rich in culture and millenary traditions, which distinguish the Ladins, the inhabitants of these lands. The Nos Ladins – Noi Ladini project aims to bring the tourist closer to traditions and the local way of life. ... Read more";s:12:"atom_content";s:4264:"
Alex Moling’s photo
Alta Badia, in the heart of the Dolomites Unesco World Heritage, it is an authentic place, rich in culture and millenary traditions, which distinguish the Ladins, the inhabitants of these lands. The Nos Ladins – Noi Ladini project aims to bring the tourist closer to traditions and the local way of life.
The Nos Ladins – Noi Ladini exhibition gives the opportunity to those who frequent Alta Badia, to carry out activities together with the people who live in these lands. The undisputed protagonists of the project share a deep innate passion for the places, where they were born and raised. Many appointments
Spend a few hours with Nikolas, a young local baker it means discovering the world of baking from a very privileged point of view. Nikolas will reveal to the participants some secrets of his preparations, from the typical puccia, to the various types of bread that are brought to the table in Alta Badia. These are the events that take place in the family bakery: February 2 and March 23, 2022.
The appointment with Betty, an energetic woman and young mother is scheduled for March 30th in a typical farm in the valley. The afternoon is reserved for the decoration of Easter eggs, an activity that is very widespread and felt in all the Ladin valleys. The appointment is dedicated not only to adults, but also to children.
Two unmissable events for those who love ski mountaineering and admire the sunrise in the midst of a spectacular scenery such as the Dolomites. Participants in the events of January 19th and March 16th 2022 will be accompanied by Roman, an expert local mountain guide.
On 9 February and 2 March it will be possible to discover and taste, together with the young sommelier Kristin, some of the best South Tyrolean wines and some local grappa. The tastings will take place in an ancient cellar, which will give a typical and authentic atmosphere.
Norbert is a master in the preparation and waxing of skis. He will show and try how skis are arranged and set up at a rental in Alta Badia. Norbert carries out his work with attention to detail, from waxing to sharpening the blades. Furthermore, Norbert will also make the skis of those who participate in the appointment with him on 9 March 2022 perfect.
Every evening, after the slopes have closed, the numerous snow cats set to work to ensure perfectly prepared slopes for the next day. Being a cat driver is not an easy job, but it is certainly very exciting. Experiencing the thrill of getting on a snowmobile and preparing a ski slope is certainly a unique emotion, which can be experienced together with Julia and Daniel, on the evenings of February 17 and March 3 2022.
Skiing with a local, who knows every turn that can be done on skis, that tells the stories of the places and of the people who live or have lived them, that knows how to describe the beauty of the environment from a particular point of view is an experience that goes beyond the hour made with the ski instructor. Each appointment will take place with a different insider, in different locations. These are the appointments: January 26, February 3 and 10, March 17 and 24. Reservations are required at the Alta Badia Tourist Offices.
